Street Photography: 200 West 14th Street

It’s been a while since I have posted any street photography work.  It’s easy to get backed up especially as I was starting a new National Park Service commission that gave rise to some artistic and technical challenges.  Now that so much of the world is under some sort of quarantine, the commission is on

Street Photography: Even More Shapes and Shadows

…but this time, unlike the photographs in my previous posts, these have a whole different feel. Rather than being stark and angular, these are soft and curvy. It’s a completely different quality of light. It’s all reflected from the glass of the surrounding buildings. The visual effect on the sidewalk is apparent but, when the

Street Photography: Inspirations

There was something about the photograph in yesterday’s post (see below) that stirred up recollections of other images. Luke Delalio, a long time friend who is talented in photography and many other artistic disciplines, mused that the photograph reminded him of an image by Alfred Stieglitz. He was close. The photograph he was thinking about

Street Photography: More Shapes and Shadows

This photograph was taken at the same location and time as those I described in a previous post. Before, I was on 51st Street looking toward the Avenue of the Americas. Now I’m looking down along 51st. Just turning around results in a completely different image and, yet, its composition still maintains the same theme.

Street Photography: Shapes and Shadows

© 2019 Xiomaro.com These shapes are certainly not soft and languorous as in yesterday’s photograph in the Japanese stroll garden. But, to me, their angularity, hard edges, and high contrast convey what I feel when I am walking in New York City. That pure white triangular shape juts forward like a weapon with an implied

Street Photography: The High Line

© 2019 Xiomaro.com I love encountering what I like to call “free Photoshop” opportunities. By shifting my position, I found a variety of interesting distortions of the building behind me. It was as if I was changing software settings in a live public space. Further, the colors, geometric shapes, and the lettering reminded me of